A SEMIOTICS OF VISUAL IN DOUBLE BLIND MOVIE

  • Dhea Anggy Afritiansyah Faculty of Culture and Language, Islamic State University of Surakarta
Keywords: Semiotics, Visual, Movie, Double Blind, Peirce

Abstract

Abstract


Visual Semiotics is a new branch of semiotics that analyzes how visual signs or visual images convey messages. In Visual semiotics, signs can be words, sounds, or visual images. The movie of the double blind is one of the categories of visual semiotics. The movie consists of images by using visual semiotics analysis, this research aims to identify the signs contained in Double blind movie and how the signs are interpreted. The movie Double blind as the research data was collected using visual qualitative, the data was analyzed using visual semiotics with the theory proposed by Charles Sanders Pierce. This research uses descriptive qualitative data analysis as the research method. The research results show that there is visual semiotics based on the theory of Charles Sanders Pierce in the movie Double blind (2023). Analyze the data on the object, this research uses semiotic analysis techniques according to Charles Sanders Pierce. Based on this, it can be concluded that the movie Double Blind (2023) can be matched with Charles Sanders Pierce's semiotic theory. 

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Author Biography

Dhea Anggy Afritiansyah, Faculty of Culture and Language, Islamic State University of Surakarta

Faculty of Culture and Language, Islamic State University of Surakarta

Published
2024-09-23